The Kickstarter campaign also has a dozen more variant covers for Providence #12, with previously unused art. There are options for inexpensive digital editions to very high-end editions signed by Moore and Burrows.
At the time of this posting, the campaign has already far surpassed its $8,300 goal, with more than $40,000 pledged. The high-end limited edition autographed, remarqued $599 package is already sold out, but there are still plenty of packages to choose from for the discerning Providence reader.
Next week, March 29, 2017 (update: looks like it may be the week after: April 5), Providence #12 will be available. After Moore and Burrows’ The Courtyard, Neonomicon, and Providence it feels a bit like the end of an era. Moore’s text version of The Courtyard first saw print in 1994. Lovecraftian elements appeared in several of Moore’s The League of Extraordinary Gentlemen stories. 2010 saw The Courtyard‘s future spun into four issues of Neonomicon. Then, from 2015-2017, Neonomicon‘s world stretched into so-far-eleven prequel issues of Providence. Alan Moore has hinted that he also has another brief Lovecraftian comic coming in the near future.
For Providence issues two through ten, Facts in the Case would preview what our contributors expected was coming next, and especially what Lovecraft stories appeared very likely to form the basis of each issue.
For issue 12 the upcoming themes are not so clear.
In many ways, Providence #11 completed the circle: Black’s journey – and Providence itself – returned to the point where it began in issue #1, and then skips forward to pick up where Neonomicon left off when it ended. While we’ve been treating Providence as a kind of prequel, there have been hints all along that this wasn’t quite the case.
As Sax, Brears, Perlman and Barstow – all characters from The Courtyard and/or Neonomicon, have popped up toward the end of Providence #11, it probably makes sense to go back and read through The Courtyard, Neonomicon, and Providence to see where we are heading. A very pregnant Brears appears on the Women of HPL variant cover for issue 12.
This post will feature some speculation on what might be ahead – and invite readers to comment on how Providence might end up. Continue reading →
Juan Manuel Rodríguez is the colorist for Providence. Rodriguez lives in Buenos Aires, Argentina. He lives with his wife Maria and their two daughters Sofia and Camila, and a brand new baby boy who just arrived this week.
Rodríguez studied Graphic Design at Interamerican Open University (UAI). Earlier he studied Cartoon and Illustration with Marvel and DC illustrators Juan Bobillo and Marcelo Sosa and studied Multimedia Design and Web and Digital Art at the Argentine Institute of Computation (IAC).
All of Rodríguez’ professional career is related to design and comics. He taught Graphic Design, Multimedia, and Digital Art classes for eight years and also worked for advertising agencies for several years. His art was frequently published in the science fiction magazine Bastion.
He started coloring comics professionally in 2005 for Image’s Noble Causes, then for the IDW series Zombies!: Feast. He colored Digital Webbing’s BloodRayne, Boom Studios’ Hunter’s Moon, and Devils Due Publishing’s Jericho comics continuation of the television series. He also did some covers and projects for Marvel and Image Comics with Rob Liefeld.
The interview took place over email in early 2017. Rodríguez’ original Spanish language text appears below the English translation.
Facts Providence: Do you read a lot of comics? What were your favorite comics growing up?
Rodríguez: When I was a kid I read a lot of comics, I read everything. Thanks to my Uncle Carlos, who was a comic book fan, I started reading old comic strips from DC and Marvel, then many European comics (especially Metal Hurlant [Heavy Metal] magazine), and national magazines like Fierro, Scorpio, Paturuzú. My favorites include Batman and Justice League by Keith Giffen, The Killing Joke by Alan Moore and Brian Bolland, [Moore’s] Swamp Thing, V for Vendetta, Watchmen, Miracleman, and Arkham Asylum by Grant Morrison and Dave Mckean.
Did you read a lot of H.P. Lovecraft before you started doing the colors for Moore and Burrows’ Lovecraft comics? What are some of your favorite Lovecraft stories?
I have read some Lovecraft books. The stories I remember most are: “The Colour out of Space,” “The Call of Cthulhu,” “The Whisperer in Darkness,” and “Dagon.” Continue reading →
The penultimate issue of Providence came out yesterday, and it is a reference-packed tour de force taking the narrative from Black’s 1919 to the present day. Eagle-eyed readers can spot “The Dunwich Horror,” “The Horror at Red Hook,” “The Shadow Over Innsmouth,” “The Thing at the Doorstep”, Robert E. Howard, William Burroughs, Clark Ashton Smith and much, much more. There are also plenty of ties to Moore and Burrows’ The Courtyard and Neonomicon.
The Facts Providence team has first-run-through Providence #11 annotations up. Site authors and readers will continue to review, update and add details. Look them over and let us know if there are things we got wrong or missed.
Just announced today: Avatar will be publishing a series of ten extra variant covers for Providence #11. This new limited edition set are “Century” variant covers drawn by Raulo Caceres, artist of Moore-curated anthology Cinema Purgatorio‘s Code Pru. Each cover depicts a scene from Lovecraft fiction. Each Century issue retails for a whopping $39.99, with the set of ten retailing for just $285. While supplies last, purchase Century variants at Comics Cavalcade.
These Century variants are the only Providence artwork so far that is not the product of Providence’s hard-working artist Jacen Burrows. Though perhaps Mitch Jenkin’s photograph at the end of Providence #7 also counts in this category.